When it premiered last year , Siloquickly emerged as the Platonic ideal of anApple TV+drama . The dystopian thriller is , like a great deal of the show on its streaming overhaul , a dressed , expensive prestige production centered around a placeable , well - known movie star . Unlike many of Apple ’s star - lead serial , though , Silohad the added benefit of being the first project to give Rebecca Ferguson , a talented actress who has spent an excessive amount of her freehanded - screen career playing the 2d principal to a manly co - champion , the star role in a high - brow music genre production that she ’s long deserved . Ferguson , for her part , turned in one of the most quiet assure , commanding lead telecasting carrying out of 2023 .

Her confidence was , fortunately , match bySilo . make byJustifiedshowrunner andSpeedscreenwriter Graham Yost , Silo‘s first 10 episode were — above all else — effortlessly watchable . The serial seemed immediately cognisant of its own identity , and that lead in its first time of year lack the variety of bushy aimlessness that has become all too common in TV ’s prestige cyclosis era . The sci - fi dramatic event ’s first season finger concentrate , propellent , and atmospherical . It was spell with a confidence that made the viewer feel safe going along for the ride . In its second season , which premieres on Apple TV+ this workweek , the series render with the same level of unifying focus and confidence — even as it boldly fracture and bifurcates its own floor .

Siloreturns in the prompt consequence of its first time of year ’s last . It take after Ferguson ’s expatriate Juliette Nichols as she ramble through a radiation - soaked landscape painting of craters , all of which house entrances to silos not unlike the one Juliette pass most of her spirit in . substantiate that she has little meter before her intentionally faulty bio - courting runs out of air , Juliette navigate her style through the open entrance to an abandon silo , the history of which is laid out with beautiful efficiency inSiloseason 2 ’s moth-eaten open . As Juliette explores her new , decrepit home , she is surprised to cross paths with Solo ( Steve Zahn ) , an bizarre , psychologically wounded survivor who is both desperate for the human companionship Juliette ’s presence provides and terrify of reciprocate her honestness and openness .

When Juliette acquire how Solo ’s silo fall to ruin , she becomes eager to retort to her own and warn those still inside . Doing so is n’t nearly as easy as she hopes , andSilodedicates around half of its 2nd season to both Juliette and Solo ’s growing connection and their efforts to get her abode . Its other one-half , meanwhile , chart the fallout of Juliette ’s successful walkout at the goal ofSiloseason 1 , which creates even harsher lines of sectionalisation within her place silo ’s already divided department and stokes the flame of a potential rebellion . Siloinevitably lose some of its star power whenever Ferguson is n’t onscreen , but the serial ’ proceed focus on the turbulent companionship it drop so much of its first season construction gives in the beginning supporting principal like Tim Robbins , Avi Nash , Shane McRae , and Remmie Milner the fortune to tread up and gleam on their own . Robbins , in particular , dominates much ofSiloseason 2 .

After spending most of the serial publication ’ first season masquerade as an degage technical school head , Robbins ’ Bernard catch to go forth this time around as his to the full villainous , manipulative ego . His desire to maintain despotic control of his silo not only proves to be more hard than he reckon , but it also leads Bernard back to his former IT shadow , Judge Meadows ( a standout Tanya Moodie ) , and creates new tautness between him and his most truehearted servant , Robert Sims ( Common ) . At times , Siloseason 2 attain the mistake of focusing so much on Bernard ’s chess - comparable war against Knox ( McRae ) and Shirley ( Milner ) , the de facto foreland of Juliette ’s mechanical section , that it ends up not giving Ferguson the aid and screen time she deserves . For the most part , however , Yost and his writers successfully justify the season ’s matching - account complex body part by make full its Bernard - led one-half with more than enough intrigue , dissembling , and tension .

Silo‘s later balancing act does get odd in its late installment , and one previous - season tress in Juliette and Solo ’s tarradiddle stick in a novel subplot that , at first , feels jarringly and tonally out of place . The series finally benefits from this twist ’s inclusion body , though , by using it to give Zahn , Siloseason 2 ’s preeminent prospect - stealer , the sort of move , substantial cloth that a character player of his quality deserves . He and Ferguson are doing two completely different things inSiloseason 2 ; the latter is list even further into her stoic , Eastwood - esque covert major power while Zahn feels like an unbridled ball of nervous vigour in every scene . Together , the two create one ofSilo‘s most compelling relationship . That makes the show ’s sometimes long detours away from their story from time to time frustrating to grapple with , especially give how their exploration of Solo ’s ruined home provide the serial publication with a much - want hazard to expand its scope .

Silo‘s first season is a purposefully parochial conspiracy thriller — one driven by the urge to unveil whatever mystery lie beyond its cardinal setting ’s concrete wall . However , once its protagonist walked beyond those barriers in its time of year 1 stopping point , Siloneeded to obtain a way of life to grow for keep itself from becoming cold and repetitive . The series ’ season 2 premiere works primarily for this reason . It is a astonishingly quiet hour of pure exploration that wisely trusts both Yost ’s penning and the king of Ferguson ’s mostly interior performance to imbue it with import and weighting . While it lets Juliette and Solo lucubrate its canvass , though , Silo‘s Bernard - centric story of a burgeoning rebellion get the scenery coiffe in its original underground habitation experience more suffocatingly claustrophobic this season than they did in the show ’s first . These duel energies sometimes chivy frustration in the viewer , but they mostly complement each other throughoutSiloseason 2 .

boast a ostensibly with child budget than its first , Silo‘s second season ups the ante on the military action and spectacle . Using the Modern , flooded landscape of Solo ’s home , the time of year even invests clip in a handful of subaqueous sequences that are executed so seamlessly you almost forget the gamy level of expert craftsmanship they exact . To be fair , that ’s a problemSiloitself practically invites . It is a show that take in serialize , digestible genre storytelling look easy , and it ’s no less watchable than it was when it premier last May . In fact , Siloseems even more assured now in the strength of its many parts , and for serious reason . It remain one of the most capably made sci - fi display on TV right now , and its reliability inspires a level of religion among viewers that is both tough to follow by and well-to-do to take for granted . To do the latter would be a error .

newfangled episodes ofSiloseason 2 premiere Fridays on Apple TV+.Digital Trends was give other access to the season ’s first nine episodes .