I ’ll admit that as an audio reviewer , I have a tendency to take heed to the same collection of songs whenever I review a couple of headphones . Even if they ’re a personal dyad and I ’m not reviewing them , I ’ll give a prompt listen through snippets of four or five cartroad to get a common sense of thing like frequency response , soundstage , and detail .
Why do I listen to the same songs ? For one ( or both ) of two understanding : I ’ve become intimately familiar with them over the years , or they ’ve been commend to me by other commentator — and in consequence , I ’ve become intimately familiar with them over the years . But it ’s also respectable for the mind and the mortal to keep things impudent , and with thousands upon thousands of songs being release every year , it ’s deserving take account and adding new recordings to the admixture .
or else of glorify “ the best songs from 2024 ” I have instead put together some of my favorites ( so far ) that I find are worthy of a listen — ones that are useable inDolby Atmosand were released in 2024 ( be it a fresh song or a re - freeing ) . Without further ado …
Broken ManfromAll Born Screaming— St. Vincent
One affair you ’re guaranteed to get from a new St. Vincent record album is a sonically interesting experience that is musically complex and intriguing . All Born Screamingis a thoroughgoing illustration . While it might not be quite as cohesive from lead to cut through as some of St. Vincent ’s previous releases , All Born Screamingartfully explore a variety of emotions and styles that leaves the hearer with an air of hopefulness by the end of its terminal claim track .
The first single from the record album , Broken Man , is an industrial - inspired furor fest that draws on the like an expert crafted build of songs like the end of NIN’sCloser . The bass slowly maturate through the first first and chorus , as the second half solution of the musical line lento blow over in to respond to its question . The sluggish growth of intensity level stay through the next verse and chorus with the introduction of Dave Grohl ’s drums , dramatic chordal stab , and a more desperate vocal into a grampus groove of the song a minute and a half in . The end bring that groove to another grade with layering of heavyset , crunchy guitar lines , thumping drums , metallic percussion , atmospherical synth and vocals , lead by St. Vincent ’s angry , plead lyric of “ What are you look at ? ”
While the Dolby Atmos mix ofBroken Mandoesn’t get as experimental as some other tracks subsequently on this listing , it gives more infinite to the layering of musical thought to create a full , but not overcrowded soundscape .
Drone:NodronefromSongs of a Lost World— The Cure
It ’s been 16 days since The Cure have released a new studio record album , and to saySongs of a Lost Worldis a triumphant return is an understatement . It ’s not the same more light - hearted menu of their 80s catalog , instead fall across as a more grown - up looking at at their own mortality . OnDrone : Nodroneare some familiar sounds from The Cure of old , but everything is turned up to 11 , especially with the wailing guitar of Reeves Gabrels , the newest member being featured in his first record album with the ring — even though he joined as a full - time extremity back in 2012 .
There ’s a lot to mind to here , with the atmospherical effect and guitar distortion come together within the first few second from out wide leftfield and right , before the nearfield is filled with guitar , synth , bass , and drums . The highlight for me is Gabrels ’ wah - wah guitar work on the 2d one-half of the track , that wind through the texture of the band and Robert Smith ’s vocals .
The military strength ofDrone : Nodronelies more in Smith ’s composition and system than in its Dolby Mix , but its Charles Frederick Worth a listen on whatever data format you have available just to sit back and revel in the tax return of The Cure .
AvalonfromAvalon— Roxy Music
It ’s hard to prefer a single racecourse from Roxy Music ’s final , and most successful , studio record album . It ’s release this year as a Dolby Atmos album is not it ’s first non - two-channel treatment , with the twentieth anniversary 5.1 SACD being considered by many to be one of the full examples of multichannel medicine mix . Some might question why to even go back and attempt an Atmos version , but with this release it was worth it . Producer Rhett Davies and social Bob Clearmountain succeeded in creating another fantabulous intermixture of the iconic album . An interesting tidbitrevealed to Jonathan Cornell at immersiveaudioalbum.comis that the tracks used for the Atmos remix were from 96kHz/24 - flake high - resolution digital transfers from the original analog multitrack tapes .
There is n’t a lot of movement on deed of conveyance track , rather allow for the legal document to generally pose and own their space . The multiple guitar racetrack have some back and forth interaction across the soundfield , while backing vocals soar in the back left while playing off the Adolphe Sax solo to the back rightfulness for the second half of the track . It ’s the perfect track to close your eye and experience the euphony around you .
In the Morning of the MagiciansfromYoshimi Battles the Pink Robots— The Flaming Lips
I ’ll in full admit that when my married woman , then lady friend , introduced me toYoshimisoon after it was released in 2002 , I was confused . Did I love it ? Did I hate it ? I frankly did n’t be intimate . “ Give it a duet more listens , ” she read , and boy am I beaming she did . Within a week it was in regular rotation as I commuted through LA traffic from my apartment in Burbank to the USC campus .
let go in November 2024 , the Dolby Atmos mixture of the album is wild . The Flaming Lips are experimental in all facet of music and carrying out , and that extends into the Atmos mix . Synths circle around your head , crowd interference spread and dissipates , Wayne Coyne ’s lead vocals spend a portion of clip in the back leave groove , drum fly through the air — it ’s enveloping and at times disorientate . But there ’s no question it uses Atmos to its fullest .
In the Morning of the Magiciansbegins with the synth orbiting the place before the bass and drums enter to fill in around you with vocal sound effect popping in to the left and correctly at dissimilar heights . It ’s all followed by the acoustic guitar and leave vocal number in from the back left before begin their own journey around , finally supported by electric automobile guitars from the face and deep “ oohs ” and “ aahs ” filling things out . A similar discussion find as the second poesy commence with some more atmospheric audio along for the ride .
Do I get it on it ? Do I hate it ? I recollect it ’s precise to say I ’m fascinated by it . If you want to get a line the potential difference of Dolby Atmos music , The Flaming Lips have delivered an excellent model . I ’d expect nothing less from them .
