I have fancied cameras on phones for as long as I can recall . My fascination perhaps stems from the fact our phones , despite go on diligence from brand name for almost 20 years now , have n’t to the full replaced actual photographic camera . Over the years , however , phones have come dangerously cheeseparing to mimicking existent photographic camera , and Vivo is among the blade lead this movement .
Vivo ’s flagship phone cameras — primarily its X series — have always successfully fortify me with a sense of confidence in my skill as a lensman . Earlier devices haveaced at taking portraitsand disregarding anydifficulties other phones might front in low firing . The latestVivo X200 Prodoubles down on that tactual sensation with respectable hardware , improved processing capabilities , and a range of new mode to help you seize second with much more ease .
What makes the Vivo X200 Pro’s hardware special
The Vivo X200 Pro ’s threefold rearward camera stack is reformed . For the primary camera , Vivo has moved by from the1 - in sensorsseen on the X100 Pro and the China - exclusiveX100 Ultra . alternatively , there is a raw Sony LYT-818 sensor , which , despite induce the same 50MP resolution , is physically smaller .
Despite the size of it , Sony claims the new sensor can take sharp photos , especially with its ability to action HDR images faster and get rid of visual dissonance . This sensor is second in transmission line , after the LYT-808 from theOnePlus 12 , to pile two stratum of light - raw transistors for better loose absorption despite covering a modest surface sphere .
The star of the show , however , is the new 200MP telephoto television camera on the Vivo X200 Pro . It backpack a Samsung ISOCELL HP9 , 1/1.4 - inch format CMOS sensor especially designed for telephotograph cameras . The sensor ’s biggest highlight is its ability to compound 16 pixel ( grid of 4×4 ) into a single colossus pixel , resulting in much brighter and more detailed images , even at high levels of zoom . Paired with a 3.7x periscopic lens , this telephoto camera can take crisp shot even at high-pitched rapid climb values .
The third camera , a 50MP ultrawide sensing element , feels slightly less exciting , especially since it has been untouched from the previous contemporaries . It still benefits from Vivo ’s latest in - house “ V3 + ” imagine chip , which is specifically designed to quicken camera - link up project alongside the flagshipDimensity 9400chipset .
The Vivo X200 Pro also benefit from the company ’s longstanding conjugation with imaging brand Zeiss . The lenses used on the X200 Pro ’s cameras are certify by Zeiss as “ Apochromatic ” lense , which are better at correcting chromatic and spherical aberration — the gloss periphery we see along edges or curves . All Lens also come with Zeiss ’ T * ( label T - Star ) coat that boil down flare and reflections when strong light diminish directly onto the lens of the eye . These feature combined foreclose cloud cover in prototype make by abrasive or unmediated lighting .
The better computer hardware already gift the X200 Pro with exceeding mental imagery abilities , but the software system remains all important to control its achiever . Thankfully , Vivo has done a clean bit of optimisation and include newfangled specialised modes for dissimilar scenarios .
In this article , I will centre on two mode — Landscape and Street Photography — that are intend to allow you chasten the phenomenal computer hardware without much effort .
Special modes that capture special moments
These two camera modes are designed to slim the load of executive conclusion while taking pictures . alternatively , you may focalize on capture the consequence . Or , if you , like me , have trouble immediately figure a great shot and simply catch dozens of seemingly respectable scenes that you’re able to filter out out after , these modality will only shower you with sufficient confidence to take more shot , as they have endow me .
One by one , I will take you through each of the mathematical function and how they can be utilized to make capturing photograph much easy .
Landscape Mode
The Vivo X200 Pro has a whopping library of features in the standard Photo fashion . To forestall these from submerge you , Vivo has a simplified style called Landscape . Despite its designation , the musical mode is designed to suit almost every scenario and allow you to tackle a range of conniption without ever have got to apply a tripod .
I like to liken the Landscape style with aniPhone ’s camera . With fewer options than the standard Photo mood , you ’re less likely to finger paralytic by the issue of option . Moreover , it mechanically try if you call for to use the Night mode and also gives you a host of options for color filters suited for unlike scenarios along with several long exposure setting to capture trail of moving objects in a liquid way .
Not just that but the Landscape mode also includes panorama and astrophotography manner . There ’s even an AR planetarium for times when you need to point the phone toward the sky and engage in some stargazing .
While it is practically inconceivable to circumscribe Vivo X200 Pro ’s capabilities and cunning in a few thousand words , I wish to take you through some of the impressive nip I have captured with the speech sound .
To keep thing simple , I have used presets from the Camera app — though you may take full dominance with the Pro mode if you ’d care to . I also took the liberty of shoot both in landscape painting and portrait layout for the image , though I will aggroup exchangeable ones together , starting first with these wide - range Landscape shots I take with the Vivo X200 Pro .
The first matter I want to emphasize is how well the Vivo X200 Pro re - creates colors , preserving the soul of the flick . The alga on the edifice in the first image is distinct from the plants get over the old , probably 19th - century , construction in the leftmost image . Would you be surprised to know I look at that at 30x rapid climb ?
as well , the myriad shades in the rightmost image are hugely preserved by the X20 Pro . Again , the image was snap with the telephoto from more than 10 feet forth , yet the sound manage to keep back nearly 100 % of the details .
Next , I want to emphasise the natural blur from the telephoto camera without engaging the portrait mode . This is assign to the large 200MP sensor that can whizz along in fairly near without requiring you to really go very tightlipped . In both images , a rude separation between the objects in focus . The Vivo phone also manages to trickily separate one limb of leaves from another , something a bunch of earphone struggle with since they use primary colors to notice object distance .
In the next set , I take exception the Vivo X200 Pro a minute more by including a share of the sky . While the HDR kicks in , you would n’t see any part of the image seeming grainy or overblown in exposure to compensate for the bright background .
In the rightmost look-alike , the X200 Pro is face - to - look with the Lord’s Day but still manages to capture some colors or else of altogether foreshadowing the hired hand - entwine kite in the front .
The Vivo X200 Pro ’s Landscape mode continues to get even in modest light . These shot that pursue maintain a high level of details , specially around edges or etching on the beams and other structures — although far less compare to shot from during the day . And while it may not see like it from the images , the literal surroundings were much darker than you see here in the exposure .
This is because the Vivo X200 Pro automatically detects the need for a longer exposure of a few second in low - Light Within shots . And while the first two image are take with three- to five - second - farseeing shutters , both of them were captured handheld and without resting the phone anywhere .
In the rightmost image , I did take a breather one bound of the earphone while keeping the other edge unshakable with my finger to enchant the track of water flowing from these fountains . Despite a long shutter than the other two images , the Vivo X200 Pro accentuate on capturing a unruffled trail of pee rather than blowing the pic on the entire look-alike , which is moderately impressive .
While it may sound like I am raving about the phone ’s tv camera and overlooking its flaws , it is for a reason . I have yet to see a use a phone that takes consistently good double , and almost none of them ask correction or edits in post - processing . That enounce , I contract 100 of picture and only choose the honest dozen from the lot .
Like any other camera , there is a curve to learning the quirkiness of the Vivo X200 Pro ’s cameras , but they are reasonably easy to get the hang . If I , as someone who has just basic noesis of how to frame photograph , can capture these beautiful image , I have trust that anyone with a number more interest in photography than me can excel with this camera .
That said , I am moving on to the 2d part of my review , which revolves around catch more animate objects — this sentence on the streets of New Delhi , India .
Street Photography
Street photography revolves around capturing the dynamics of a interfering fit while preserving the essence of something that stands out or does not necessarily fit in . Deliberation is its nemesis , and one must be instant before the scene changes , and you are left with is a fleeting mental embossment of what could have been a beautiful image — if only you could capture it .
Vivo ’s Street Photography mode , newly introduced with the X200 series , is designed around solving that job . It is mean to indue you to snap pic right away without worrying about finding the right options in good order before each shot , especially in moments with sparks of inspiration . Vivo has master a few aspects to control the modal value birth the experience it promise .
First , Vivo X200 Pro ’s Street Photography fashion arrest an port entirely different from the main Camera app ( despite the mode being a part of it ) . The design ideology used here face like a blend of iconography used on television camera and some nervy inspiration from a rude Instagram user interface . I ’m not sound off as I good like the elementary element , well readable text , and fewer alternative to choose from .
To restrain distraction , the Street Photography fashion only lets you deepen a few cardinal attributes , such as white proportion , aperture , shutter speed , exposure value , and the focal lengths .
At the bottom , a prominent shutter clitoris take most of the attention , while an picture to sum preset coloration filter sits next to it . you may also toggle metering modes between center - weighted and spot or opt a hyperfocal space for object beyond the genus Lens ’ normal kitchen range of focus .
Accessing the Street Photography mode is also simple ; you just exploit the upward - facing arrow at the bottom of the app when it is in Photo mode . For even quicker entry , you’re able to press the volume down clitoris in two quick successions and the mode open up by default . The Camera app also remembers whether you closed it in the Street Photography or the veritable Photo mode and open it the next time you open it .
If you tack between a few different styles , Vivo also allows you to save up to three presets for compounding of your preferable setting in Street Photography modality .
Words may not do jurist to what the Street Mode is capable of . So , here are several example of photos I withdraw with the Vivo X200 Pro on a literal Amerindic street .
The theme here was to capture the effect of each scene and especially capsule emotions on faces . All these shots below were taken while the subject or I were moving .
Aligning with Vivo ’s claim , there is almost zero shutter meantime , and X200 Pro captures these scenes without any major blurring due to the motion — not to block the unspoiled colors in the images .
The rightmost image true reckon oversaturated beyond taste because it was taken with the Vivid color setting in the Street Mode . But not all the images captured with the graphic colouring material filter appear displeasing . In fact , I find the vibrancy to add to the soulfulness of these look-alike and make them more intense — unnaturally but tastefully .
The mental image have a riveting level of detail , which feels unthinkably good for a phone camera , especially when you gain none of these have been retouch . They were simply used as they were fool on the speech sound .
The next couple of shots also capture the spirit of action without being disrupted by minimal motion blur . Yes , there is some blurring in parts of these photos , but I find it lends a sensory faculty that the subjects are moving , probably at a high tempo .
besides , the icon below bear on the feel of wintering .
In accession to the Vivid color visibility , the X200 Pro also has a black - and - white sheathing , mechanically adjusting the light and moody luck of any scene to fit the shades of grey .
The images below capture a blend of vivid action and the hope for an impending change , and the same guessing in color would probably not do the same justice to these aspect .
Contrastingly , these disgraceful - and - white shots below announce a flavour of inertness . as vivid , I must say .
But even without people in survey ( or focus ) , the Street Mode does n’t break down to clutch the depart color of a street , almost with the same precision as it does in the Landscape mood .
Lastly , the X200 Pro can sew some binding stories , even in low light . While the sharpness in effigy is less than day images , the essence is save to a corking extent .
I’d choose Vivo X200 Pro over any other phone
A photograph is deserving a thousand words ; it is popularly ingeminate . But the thousand - word adage remains refuted if you ca n’t catch the mental picture in the right moment . The Vivo X200 Pro has helped me seize some very special consequence that may look very ordinary to the optic , especially since moments like these are suddenly - lived and often evade our attending . The telephone not only ca-ca admit beautiful pictures a virtually effortless undertaking but also inspire me to take many more images .
That ’s where I believe the real chemistry of technology lies . In my view , technology ’s character is to inspire and aid us in realize our imagination , notoverwhelm us in endless current of info . count back at these images I acquire mindlessly , I palpate a concoction of emotions brew within . And I find this is just what Vivo intended to do by make photography a less technical and a more excited procedure for non - lensman like me .
While the X200 Pro is yet another equipment in the list ofphones intended to replace cameras , I am certain it sits at the top of the Great Pyramid for me when it comes to picture taking and will be my first choice over any other phone .
